Provoking, disturbing, hacking : Media archaeology as a framework for the understanding of contemporary DIY composers’ instruments and ideas
The article is a discussion of works by two Danish composers who both, with self-constructed instruments challenge computer music both as genre, the understanding and use of conventional technology and the relation to history. At first glance, the use of the homemade instruments appears as a common characteristic. But, when one takes a closer look, different discourses and various discussions of m