Cinema as a safe vessel: Jonas Poher Rasmussen’s Flee
The article discusses strategies adopted in Jonas Poher Rasmussen’s feature-length animated documentary Flee (2021) for crossing the cultural andemotional distance between audiences and the refugee protagonist Amin. Focusis on a central scene in which a group of Afghans sailing across the Baltic Seain the early 1990s encounters a cruise ship from Norway, the crew of whichreports the refugees to th