Mobility and Marginalization : Arne Sucksdorff’s Documentary Authorship in India and Brazil
Swedish filmmaker Arne Sucksdorff was recognized as an innovative documentary filmmaker in the 1940s and 1950s, but once his production moved internationally - first to India and then to Brazil - the authorial discourse on his production changed dramatically. This chapter maps the transnational production and circulation of his feature length documentaries The Flute and the Arrow (En djungelsaga,
