Alien Octopodes: Öyvind Fahlström's Du gamla, Du fria, and the Institutional Practice of Swedish Experimental Feature Films
The aim of this master’s thesis is to investigate the discursive networks and production contexts of the rare and insular phenomena of Swedish experimental features. As a point of departure, the tentative and limited filmography of Swedish artist Öyvind Fahlström is expanded upon, as the thesis present a unique case study on his first and only feature film Du gamla, Du fria (“Provocation”, 1972).