An exploration of notions of “the real” ignited by three photographs from the New Mothers-series by Rineke Dijkstra
This thesis provides an analysis of three photographs from the New Mothers-series by Rineke Dijkstra, which serve as a point of entry for a discussion on how the maelstrom of visual expressions surrounding the contemporary subject is transforming his/her experience of what is real in relation to visual expressions. In the exploration, the concept of “the real” is examined in its construction and a