Representing Pain in Film : A Phenomenological Approach to Gibson, Tarantino and Lynch
What does pain look like? Pain is felt, as every human being knows. But what about its visibility? Is it possible to depict pain? We can represent its visible expressions. We can also, to a certain extent, capture that which causes pain. But what about pain itself? This paper addresses the question of how to represent pain from a phenomenological perspective. Adopting the phenomenological analysis