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Jacob Korczynski in an interview with Ghislaine Leung talks about the “disruptions” in her exhibitions “which ultimately complicate the institutional infrastructure that enables them.”
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The article is a visual contribution on current research - showcased at Camera Austrias Foto Forum
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Review of "Photosynthesisers: Women and the lens" a group exhibition curarted by James Gatt at Te Uru Waitākere Contemporary Gallery, Auckland.
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A review of the exhibition "Bathroom Classroom" by HaeAhn Woo Kwon in collaboration with Isabelle Pauwels, Amy Ching-Yan Lam, Kirby Chen Mages, and IBanJiHa (SoYoon Kim) at Franz Kaka.
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A review of a solo exhibition by the artist at The Wattis Institute.
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A review of Naeem Mohaiemen's solo exhibition "What we found after you left" at The Power Plant Contemporary Art Gallery in Toronto, Canada.
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A review of Cauleen Smith's solo exhibition at the Institute of Contemporary Art in Philadelphia
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Review of "Lovers' Wind" a solo exhibition by Parastoo Anoushahpour, Faraz Anoushahpour & Ryan Ferko at Mercer Union, Toronto.
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A review of a solo exhibition by G.B. Jones at Cooper Cole in Toronto, Canada.
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A review of Mohamed Larbi Rahhali's solo exhibition at Voice Gallery in Marrakech, Morocco.
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A review of Michael Snow's solo exhibition "Powers of Two" at Christopher Cutts Gallery in Toronto, Canada.
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A review of the final edition of La Biennale de Montréal "Le Grand Balcon/The Grand Balcony" curated by Philippe Pirotte.
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A review of Mary Ann Aitken's solo exhibition at What Pipeline in Detroit, United States.
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Eye movements do more than gather visual input – they actively contribute to the formation and retrieval of relational memories by linking information across space and time. During retrieval, gaze patterns often reflect memory reactivation well before an explicit response is made, a phenomenon known as the relational eye-movement effect. While this effect appears closely associated with hippocampa