Den tyska expressionismens inverkan på Alfred Hitchcock
This paper explores the influence of German Expressionism on Alfred Hitchcock's filmmaking, focusing on three key works: The Man Who Knew Too Much (1934), Shadow of a Doubt (1943), and Psycho (1960). German Expressionism, characterized by its distorted sets, dramatic use of light and shadow, and emphasis on psychological depth, is a foundational cinematic movement that profoundly impacted Hitc
