Vibrato. Choices and challenges in Dvořák’s cello concerto
After realising vibrato is such an essential resource in strings and it can affect the quality of sound, I decided to reflect on it. The thesis is divided into two source parts, Vibrato subdivided in definition, terminology, evolution and the four main types and Dvořák subdivided in a brief composer's biography, the evolution in his aesthetics, and the context of composition of the concerto, o