Sacralization of the Ordinary in Pixar: A Cine-Ritualistic Examination of Transcendence and Meaning-Making in Ratatouille, WALL-E, and Soul
This paper examines Pixar Animation Studios’ movies Ratatouille (2007), WALL-E (2008), and Soul (2020) to explore whether and how they sacralize ordinary actions, thereby transforming films into places of ritualistic meaning-making. Using ritual theory (Grimes, Bell, Turner), Paul Schrader’s transcendental style, and the framework of cine-ritualism, the study explores how audio-visual strategies c
